Comments on: Art farming

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By: Larry Jewett

Larry Jewett — Wed, 09 Apr 2008 14:09:57 +0000

By the way, in reference to your statement about “Bison just standing around” (waiting to get shot, which is why there are so few left, of course), have you thought of painting a Bison on its hind legs? or doing a handstand? or doing a giant circle on the high bar?

Oops, I believe Gary Larson (Far Side) already did that (with cows, at least).

By: Larry Jewett

Larry Jewett — Wed, 09 Apr 2008 14:02:21 +0000

The “floating horse head” image is funny, though I must admit I have never painted a horse (I used to draw a lot when I was a kid and still have some horse drawings i did, which are actually not that bad, surprisingly enough), so I probably can not fully appreciate the reference — though I have seen a lot of “floating horse heads” in paintings, now that you mention it. perhaps there is some “deep psychology” going on here (undoubtedly Freudian)

Though it is understandable if one is trying to make a living off art, I think some artists take that to the extreme and let the market dictate what they paint. (even the “great” artists like Picasso are not immune. In fact, they may be even more susceptible in the later years (Julie).

As with pretty much any endeavor, “letting other people decide” what you do is basically the death knell for creativity and spontaneity.

Me, I never let anyone decide what to do or how to do it — not even the people who know better, which is why so much of what i do is garbage.

By: Julie Chapman

Julie Chapman — Mon, 07 Apr 2008 22:16:27 +0000

Kathy - oh lordy, your “floating horse heads” made me laugh - I’d forgotten all about those horrid things. I’ve sometimes been under the same delusions about doing a tired subject in a splendiferous way, but never carried through on any of it (or at least I hope not).

My licensing agent, for instance, has said that wolves are (or at least were) quite popular, and he’d love to see me try a wolf image. The problem is that wolves have been so overdone that I’m super duper cautious about even trying a painting - the idea had better be darn good and different if I’m to get excited about it.